Antonio’s Inwardness and Foreclosure in The Merchant of Venice
Visualizações: 342DOI:
https://doi.org/10.61389/revell.v1i31.6942Palavras-chave:
Inwardness, ForeclosureResumo
This article discusses the ambiguous representation of the merchant Antonio in William Shakespeare’s The Merchant of Venice. Antonio’s relationship to his father figure is projected through the hatred and sadness in Shylock’s figure. However, Antonio's father figure is completely absent in the play. Thus, his inexplicable anger towards Shylock may reveal primitive feelings towards his father figure. His masochistic desire and fear of castration, which can potentially be fulfilled by Shylock, increase his anxiety to his father figure. He accepts the idea of castration and imagines himself a castrated ram. However, the cause of such anxiety is constantly denied by Antonio, but projected into the play’s texture in verbal slips and contradictions. Thus, the other characters are depicted as Antonio’s correlate figures, mirroring similar feelings felt by him.
Referências
ADELMAN, J. Blood Relations: Christian and Jew in The Merchant of Venice. Chicago/London: The University of Chicago Press: 2008.
ADELMAN, J. Suffocating Mothers: fantasies of maternal origin in Shakespeare’s plays, Hamlet to Tempest. New York: Routledge, 1992.
ARMSTRONG, P. Shakespeare in Psychoanalysis. London: Routledge, 2001.
BERGER Jr, H. Mercifixion in The Merchant of Venice: The Riches of Embarrassment, in Renaissance Drama, New Series, 38, 2010, pp. 3-45.
COYLE, M. The Merchant of Venice: contemporary essays. Londres, Macmillan: 1998.
DRAKAKIS, J. Historical difference and Venetian Patriarchy. In COYLE, Martin. The Merchant of Venice: contemporary critical essays. Londres: Macmillan: 1998. (New Casebooks), pp. 181-208.
FREUD, S. Obras Completas. Rio de Janeiro: Imago, 2006.
HINELY, J. Bond Priorities in The Merchant of Venice. Studies in English Literature, 1500-1900, Vol. 20, No. 2, Elizabethan and Jacobean Drama, 1980, p. 217-239.
HOLLAND, N. Psychoanalysis and Shakespeare. London: McGraw-Hill, 1966.
KANT, I. Critique of Judgment. Bernard. New York: Dover, 2005.
KAPLAN, M. Lindsay & BEVINGTON, David (eds.). The Merchant of Venice: Texts and Contexts. New York: Palgrave, 2002
LACAN, J. Escritos. Rio de Janeiro: Jorge Zahar, 1998.
LAPLANCHE & PONTALIS. Vocabulário da Psicanálise. São Paulo: Martins Fontes, 2000.
LUKACHER, N. Daemonic Figures: Shakespeare and the Question of Conscience. Ithaca: Cornell University Press, 1994.
MAUS, K. Inwardness and Theater in the English Renaissance. Chicago: University of Chicago Press, 1995.
McGINN, C. Shakespeare’s Philosophy: Discovering the Meaning behind the Plays. New York: Harper, 2007.
SHAKESPEARE. Complete Works. Londres: Wordsworth Editions, 2007.
SHAKESPEARE. The Merchant of Venice. Edited by Barbara Mowt & Paul Werstine’s. New York: Washing Square Press, 1992.
SHAKESPEARE. The Merchant of Venice. Edited by Lindlay Kaplan & David Bevington. In: KAPLAN, M. Lindsay & BEVINGTON, David (eds.). The Merchant of Venice: Texts and Contexts. New York: Palgrave, 2002
SHAPIRO, J. Shakespeare and the Jews. New York: Columbia University Press, 1996.
WILDERS, John (org.). Shakespeare: The Merchant of Venice. London: Macmillan, 1969.
Downloads
- PDF (English) 254
Publicado
Como Citar
Edição
Seção
Licença
Copyright (c) 2022 REVELL - REVISTA DE ESTUDOS LITERÁRIOS DA UEMS
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.
DECLARAÇÃO DE ORIGINALIDADE E EXCLUSIVIDADE E CESSÃO DE DIREITOS AUTORAIS
Declaro que o presente artigo é original e não foi submetido à publicação em qualquer outro periódico nacional ou internacional, quer seja em parte ou na íntegra. Declaro, ainda, que após publicado pela REVELL, ele jamais será submetido a outro periódico. Também tenho ciência que a submissão dos originais à REVELL - Revista de Estudos Literários da UEMS implica transferência dos direitos autorais da publicação digital. A não observância desse compromisso submeterá o infrator a sanções e penas previstas na Lei de Proteção de Direitos Autorais (nº 9610, de 19/02/98).
