Espaços Inespecíficos

os transbordamentos das fronteiras urbanas e estéticas

Abstract

In “Literature beyond itself”, Garramuño (2014) highlights how contemporary literature is in constant transformation and instability. According to the author, this current production challenges the conventional idea of the field as a fixed and closed space. By exploring this expansion of the field and the subversion of limits, Garramuño (2014) invites us to reflect on new approaches and characteristics of a more current production, which reveals new openings and a reflection on the evolution of the concept of the literary in contemporary literature. This production points to a rupture of the conception of the field as a fixed and closed space. Based on this, we will explore, in this analysis, the work THE BOOK OF WATER and the aesthetic expression of Karina Rabinovitz, to discuss texts/installations that challenge traditional categories of analysis in order to reflect on the transition to non-specific forms and how they question traditional concepts of literary theory, such as the idea of authorship, and the institution called literature itself.